EgoFilm is a 3D animated universe built entirely by one person — one voice, one vision, one obsession. No studio. No team. Just Clément, Blender, and an irreverent squirrel who somehow broke the internet.
EgoFilm is Clément. Full stop. Every voice you hear in the videos — KAK's crass one-liners, Kakette's sharper comebacks, Roger's meaningful silences — that's him. Every frame rendered at 3am. Every scene rigged, lit, and animated from scratch in Blender, which he taught himself from zero.
“I don't have a team. I have stubbornness and an old GPU.”
Self-taught in 3D animation, character design, sound design, storytelling, and distribution strategy. Built a global audience without a label, a manager, or a safety net. EgoFilm exists because Clément refused to wait for permission.
EgoFilm isn't cute. It isn't vulgar. It's that rare thing — a universe your kids love for one reason and you love for another. The characters carry their own lore, their own contradictions, their own fans.
An orphaned squirrel raised by Rohlian, a humanoid robot alien. KAK has zero filter, infinite energy, and questionable decision-making. He's absurd without being mean, chaotic without being cruel — and somehow, you root for him every time.
Where KAK is chaos, Kakette is controlled chaos. She matches his absurdity but rarely his bad ideas. Fans love her for the moments she absolutely destroys KAK's logic with a single line.
Roger doesn't speak. Roger doesn't need to. A red cat of profound stillness, his presence in any scene shifts the entire energy. He has his own dedicated fanbase and they are intensely serious about him.
Porte la Poule exists in a narrative category of her own. She appears. Things happen. Nobody fully understands her motivations, least of all the characters around her. Somehow that's exactly right.
Behind the absurdist jokes is a genuinely constructed world. Eylhirmiorn has geography, mythology, factions, and history that Clément has developed over years. This isn't a gag cartoon — it's a comedy set inside a universe that happens to have a map.
“The humor works because the world is real. KAK is funnier when the stakes actually exist.”
EgoFilm's tone occupies a precise frequency: absurd but not random, family-friendly but not sanitised, toilet humour exists but nobody gets hurt. It's the kind of content you can watch with your kid and both get something different from it.
EgoFilm audiences don't skip. They don't scroll past. They quote the dialogue, share the clips, and argue about the lore. If you want your brand to live in a world people actually love — let's talk.